Publications
Prof. Dr. MaryAnn Snyder-Körber
Monographs
"Modernism in American Centuries: Henry James, T.S. Eliot, Djuna Barnes, James Baldwin." Completed Manuscript/Habilitation Freie Universität Berlin, 2014.
Das weiblich Erhabene: Sappho bis Baudelaire. München: Fink, 2007.
Edited Volumes
Mobile Feminisms: Gender, Social Media,Transnational Interactions (with Simi Malhotra, Suman Bhagchandani, Sakshi Dogra, and Lukas Hellmuth). Submitted and in peer review process.
Anecdotal Modernity: Making and Unmaking History. Berlin: de Gruyter, 2020. (with James Dorson, Florian Sedlmeier, and Birte Wege)
Machine: Bodies, Genders, Technologies. Heidelberg: Universitätsverlag Winter, 2012. (with M. Michaela Hampf)
Trauma’s Continuum: September 11th Reconsidered, Special Issue of Amerikastudien/American Studies 55.3 (2010). Published 2011. (with Andrew S. Gross)
The Pathos of Authenticity: American Passions of the Real. Heidelberg: Universitätsverlag Winter, 2010. (with Ulla Haselstein and Andrew S. Gross)
Series Advisory Board
Feminisms Past and Present. Invited Inaugural Advisory Board Member for the Interdisciplinary Publication Series with De Gruyter Brill.
Series Editorships
JMU Cultural Studies - Dedicated to Reinvestigating the Cultural Studies Tradition and Retooling its Approaches for the Contemporary World. Series Editors: Zeno Ackermann and MaryAnn Snyder-Körber. Würzburg University Press (WUP).
- Global Cultural Studies? Engaged Scholarship between National and Transnational Frames. Ed. Tobias Jetter. Würzburg: Würzburg University Press, 2023. https://www.wup.uni-wuerzburg.de/en/aktuelles/news/single/news/global-cultural-studies/
- Listening In: Perspectives on Sound, Voice, and (Popular) Music Studies. Ed. Maria Denzlein and Sophie Schönfeld. Würzburg: Würzburg University Press 2025.
Challenges of Modernity – A Platform for Innovative and Engaged Scholarship in the Humanities. Series Editors: Catrin Gersdorf and MaryAnn Snyder-Körber. Würzburg University Press (WUP).
- Climate Changes Global Perspectives. Ed. Molina Klingler, Hannah Nelson-Teutsch, and Lena Pfeifer. Würzburg: Würzburg University Press, 2022. https://www.wup.uni-wuerzburg.de/aktuelles/meldungen/single/news/climate-changes-global-perspectives/
Articles
"Clotels: Bad Beginnings, Instructive Continuations." To Be Continued – Forms of Narrative Continuation. Ed. Ulla Haselstein and Florian Sedlmeier. Berlin: De Gruyter, 2026. 31-60.
"Eine andere Geschichte des literarischen Podcastings. PennSound und die Paradoxien einer Programm-Avantgarde." Literatur und Podcast. Inszenierungsformen – Rezeptionsmodelle – Wissenskommunikation. Ed. Stephanie Catani, Sonja Schmalenberger, and David Selzer. Heidelberg: J.B. Metzler. Berlin: Metzler, 2025. 207–219. DOI: 20.2007/978-3-663-72095-0
"Monuments, Memory, and Democratic Dialogue. A Transnational Project Seminar as Case Study." Die Hochschullehre. Interdisziplinäre Zeitschrift für Studium und Lehre 11.73 (2025): 877–882. (with Jeanette Vigliotti Kind and Petra Zaus). DOI: 10.3278/HSL2573W
"Series Foreword: JMU Cultural Studies – Strategies for Struggling with the Obvious." Global Cultural Studies? Engaged Scholarship between National and Transnational Frames. Ed. Tobias Jetter. Würzburg: Würzburg University Press, 2023. Würzburg: Würzburg University Press, 2023. iii-v. (with Zeno Ackermann)
"Preface." Climate Changes Global Perspectives. Ed. Molina Klingler, Hannah Nelson-Teutsch, and Lena Pfeifer. Würzburg: Würzburg University Press, 2022. 3-7. (with Catrin Gersdorf)
"Introduction." Anecdotal Modernity: Making and Unmaking History. Ed. James Dorson, Florian Sedlmeier, MaryAnn Snyder-Körber, and Birte Wege. Berlin: de Gruyter, 2020. 1-30. (with Florian Sedlmeier)
"Reed Smoot's Prayers and the 'Mormon Moment' of US-American Politics. Cultures of US-American Conservatism. Ed. Susann Köhler and Andrew S. Gross. Special Issue American Studies Journal 65 (2018). Web. 13 Dec. 2018. DOI 10.18422/65-04.
"Flarf: E-Detritus Composition and the Affordances of a Late Avant-Garde." America After Nature: Democracy, Culture, Environment. Ed. Catrin Gersdorf and Juliane Braun. Heidelberg: Universitätsverlag Winter, 2016. 461-82.
"Djuna Barnes's Nightwood." The American Novel of the Twentieth and Twenty-First Centuries. Ed. Timo Müller. Berlin: de Gruyter, 2017. 222-36.
"Cyberoptik: alte Blasphemien, neue Öffentlichkeiten." Diversity Trouble. Ed. Peter Pohl and Hania Siebenpfeiffer. Berlin: Kadmos, 2016. 133-54.
"Untimely: Obsolescence, Late Modernism, and the View Out of Giovanni's Room." Cultures of Obsolescence in North America: Aesthetics, Materiality, History. Ed. Babette Bärbel Tischleder and Sarah Wasserman. New York: Palgrave Macmillan, 2015. 190-210.
"Replaying The Waste Land: Memory, Maneuver, Modern Times." Recovery and Transgression: Memory in American Poetry. Ed. Kornelia Freitag. Newcastle: Cambridge Scholars Press, 2015. 39-53.
"Breaking Your Historical Neck: Interdisciplinary Reflections and Introduction." Machine: Bodies, Genders, Technologies. Heidelberg: Universitätsverlag Winter, 2012. 9-64. (with M. Michaela Hampf)
"Apocalypse Not Quite Yet: Cyborg Variations, 1960-2000." Machine: Bodies, Genders, Technologies. Heidelberg: Universitätsverlag Winter, 2012. 67-106.
"Teaching Machines." Machine: Bodies, Genders, Technologies. Heidelberg: Universitätsverlag Winter, 2012. 297-322. (with M. Michaela Hampf and Jasper J. Verlinden)
"Gift Money: Nightwood and the Funding/Form Logics of Late Modernism." American Economies. Ed. Eva Boesenberg, Reinhard Isensee and Martin Klepper. Heidelberg: Universitätsverlag Winter, 2012. 364-87.
"Introduction: Trauma's Continuum -- September 11th Reconsidered." Amerikastudien/American Studies 55.3 (2010): 369-84. (with Andrew S. Gross)
"Lost and Found Lives: The Portraits of Grief and the Work of September 11th Mourning." Amerikastudien/American Studies 55.3 (2010): 451-78.
"Amerikanischer Untergrund: Charles Brockden Brown, George Lippard, Edgar Allan Poe." Der Schauer(roman). Ed. Mario Grizelij. Würzburg: Königshausen & Neumann, 2010. 195-229.
"Sexual/Textual Iconicity: From Henry to Master, Queer, and Other Jameses." American Cultural Icons: Configurations, Re-Figurations. Ed. Bernd Engler und Günter Leypoldt. Würzburg: Königshausen & Neumann, 2010. 155-70.
"Introduction: Returns of the Real." The Pathos of Authenticity: American Passions of the Real. Heidelberg: Universitätsverlag Winter, 2010. 9-31. (with Ulla Haselstein and Andrew S. Gross)
"And Susan Sontag Wept: Portraits, Grief, and the Gritty Grain of the Real." The Pathos of Authenticity: American Passions of the Real. Heidelberg: Universitätsverlag Winter, 2010. 93-113.
"The Real Thing." Critical Companion to Henry James: A Literary Reference to his Life and Work. Ed. Kendall Johnson and Eric Haralson. New York: Facts on File, 2009. 279-82.
"Ground Zero/s der amerikanischen Literatur: vom neuen zum hysterischen Familienroman." Amerikanisches Erzählen nach 2000. Ed. Sebastian Domsch. Munich: Edition Text + Kritik, 2008. 39-55.
"Das Leben ins Bild bringen: Einsatz und Erweiterung des Auto/Biographischen in Anne Nelsons Theaterstück The Guys." Ästhetische Verarbeitungen des 11. September 2001. Ed. Ingo Irsigler and Christoph Jürgensen. Heidelberg: Universitätsverlag Winter 2008. 143-66.
"'Die alte Einfachheit': Nostalgie, Nähe und die Familienwerte des Neo-Realismus." Schreibverfahren der Jahrtausendwende. Ed. Susanne Krones and Evi Zemanek. Bielefeld: Transcript, 2008. 57-68.
"Building the Better Book: Conversation, Complication, and the Constitution of the Medium in The Sketch-Book of Geoffrey Crayon, Gent." American Studies as Media Studies. Ed. Frank Kelleter and Daniel Stein. Heidelberg: Universitätsverlag Winter, 2008. 27-37.
“Perilous Performances: Picturing Occult Inheritance and Staging the Melodrama of the Mind in Wieland.” Melodrama! The Mode of Excess from Early America to Hollywood. Ed. Frank Kelleter and Ruth Mayer. Heidelberg: Universitätsverlag Winter, 2007. 55-72.
“Ermittlungen in Sachen Moderne: T.S. Eliots Tippmamsell und die Substanz des Waste Land." Working Girls“. Zur Ökonomie von Liebe und Arbeit in der Moderne. Ed. Sabine Biebl, Verena Mund and Heide Volkening. Berlin: Kadmos, 2007. 55-76.
"Asthetisches 'Gender Bending' in Richardsons Clarissa." Körperproduktion. Zur Artifizialität der Geschlechter. Ed. Alexandra Karentzos, Birgit Käufer and Katharina Sykora. Marburg: Jonas Verlag, 2002. 80-88.
Perilous Navigations in the Postmodern: Donna Haraway, bell hook and Feminist Rethinking of Identity. Berlin: John F. Kennedy-Institut für Nordamerikastudien der Freien Universität, 1997. Working Papers des John F. Kennedy-Instituts für Nordamerikastudien No. 105.
Shorter Contributions
"Edmund Burke." Lexikon der Poetiken. Ed. Manfred Schmeling, Monika Schmitz-Emans and Uwe Lindemann. Berlin: De Gruyter, 2009. 67-68.
"Spivak: das kulturtheoretische Werk." Kindlers Literatur Lexikon. 3rd edition. Ed. Heinz Ludwig Arnold. Stuttgart: Metzler, 2009.
Rev. of Alttestamentarische Frauengestalten in US-amerikanischen Romanen von Autorinnen seit 1990, by Birgit Högn. Zeitschrift für Anglistik und Amerikanistik 56 (2008): 205-206.
"Das Trauma einer Nation. Ein Gespräch über das amerikanische Erinnern an den 11. September 2001." FUndiert. Das Wissenschaftsmagazin der Freien Universität Berlin 2 (2007): 66-74. (with Andrew S. Gross)
"Was kommt nach dem 11. September?" Tagesspiegel. 1 Sep. 2007.
Translations
"Can't Simulate Freedom." Hannah Arendt Denkraum. Exhibition. Berlin und Halberstadt, 2006.
Schmid, Joachim. Sinterklaas ziet alles/Sinterklaas Sees All. Photos and Text. Rotterdam: Nederlands Foto Instituut, 1998; “Sinterklaas Sees All”. PhotoWork(s) in Progress II/Constructing Identity. Ed. Linda Roodenburg. Rotterdam: Nederlands Foto Instituut, 1998. 46-49.
Fricke, Adib. The New Word. Vol. 3. Berlin: The Word Company, 1997.
